![]() You need to light a lot to make them work but as you will read below you need to do the same with twixtor to get the high shutter speeds needed. But for those whose budget means renting a Phantom Flex or something similar is out of the question Salomon guides you through the best ways to make the most out this powerful, but tricky plug-in. Let me quickly explain how Twixtor works: It takes your footage [generally your transcoded 50fps, or 60fps footage and “guesses/interpolates” your missing/in-between frames Gravity – Director’s Cut from Salomon on Vimeo. I guess with every project the approach is somewhat different. When Twixtor becomes a part of my workflow I need to become increasingly more aware of the way I am shooting so that I have workable footage in post. I wanted to shoot something different to all the other Twixtor stuff I’ve been seeing – which have all been shot outside. I wanted to try shooting super slomo using the Canon 7D and Twixtor in interiors. Here are a few key things to consider when working with Twixtor:ġ. Shoot at a fast shutter: anything 1/2000 – 1/4000s. ![]() Shoot against a plain/solid colored background – sky/wall etc etc.ģ. The law of nature is that what must goes up, must come down. ![]() Its the movement at the top of an arc/trajectory that works best for Twixtor because that’s when things generally move the slowest, more frames of the relevant action for Twixtor to work with.Ĥ. When you shoot really close/tight, slow the action down manually ie – move slower and fake slow motion.
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